From 1874 onwards, exhibitions by the Impressionists — also known as the 'Intransigents' or the 'Enragés' [Enraged]— inscribed a group of young artists into the history books. The layout of the premises, the grouping of works by artist, the unconventional framing, and the new colours on the walls all clashed with the Salon's exhibition principles; some critics reacted both fiercely and memorably.